Swung by Tango last weekend to have a peek at some of the Live Power Awards nominated bands in the indie category. More specifically, I wanted to check out the Hangzhou neo-psychedelic band Wogui de Houche whose 2016 release Aftermath was one of the my favorites of that year. The band is great at capturing that humid poetic sound that sways in and out of daydream romanticizing and reverb heavy rock and roll blitz. Lo-fi buzz that’s turns volatile when shaken. Highlight of the night by far. I was also surprised at how easily manipulated and emotionally man-handled I was by Beijing post rock outfit Sparrow who have been a mainstay of the post rock scene for nearly a decade and who just began hitting their stride last year. As far as post rock goes, these guys are the real deal – intricately assembled arrangements that hit you in the gut. Finally, I was quite disappointed with SiXi, the Nanjing electro rock outfit which sounded like a outdated copy of other female-led electro rock bands like Da Bang and Queen Sea Big Shark who are in their own ways already outdated copies of many of the new wave garage rock bands of the early 2000s (to be fair both of those bands have broke free of their influences already). Two out of three ain’t bad and it’s great to see more and more bands from around China making their way to Beijing.
Stoner rock, shoegaze, indie rock, and of course heavy metal all coming at ya this week with the latest batch of new releases hitting shelves, turntables, and digital stores including the newest LP from Dear […]
More layers of clothing, more album releases to keep those earbuds warm. First off, Casino Demon – who were presumed to be dead in the water last year, are back in fighting mode (and impressed […]
Lo-fi indie goodness out of Hangzhou, kooky electronica straight out of the Beijing’s flavorful 87Fei87 label, an acoustic farewell from one of Beijing’s best acts, and an expansive punk and hardcore compilation showcasing the best in […]